About

Jonathan Kimble (b. 1997) is a collagist, mixed media artist, and muralist from Detroit, Michigan and BFA graduate of the College for Creative Studies (2020). Kimble’s work infuses the sounds and rhythms of Jazz, funk and hip-hop with his unique collage techniques to portray the diverse facets of Black culture. Kimble employs abstract figuration to create transparent and negative space within his figures, facilitating the flow and energy of layered colored papers and other materials throughout his compositions.

Kimble’s work made appearances at leading art institutions across metro Detroit such as the Museum of Contemporary Art Detroit, the Charles H. Wright Museum of African American History, the Detroit Historical Museum, Gallerie Camille, and Irwin House Gallery. He produced murals across the city, including a recording studio at “Avalon Village” (2022), Yellow Brick Road Arts Alley Project, and a basketball court he designed at Riverside Park titled, “Fast Break” (2026)—sponsored by Tito’s Handmade Vodka with project help from Project Backboard and Hoops Gallery.

With his expertise and knowledge of the art industry, Kimble has made significant contributions to the Detroit community on multiple occasions. He collaborated with the Detroit Institute of Arts to create a workshop titled “Born to Remix”. In this workshop, participants were guided through innovative approaches to visual problem-solving using mixed media. Furthermore, He has partnered with the Hope for Flowers Youth Art Enrichment Program, leading mixed media workshops that focused on sustainability. Kimble serves as an active member of the Detroit Fine Arts Breakfast Club, providing support to the city’s thriving art scene.

Artist Statement

Examining the legacy of Black collage art, I discovered the profound symbolism, the immense power of cultural expression, and historical commentary inherent in the collage medium. This medium transcended various Black collagists I look up to, including Romare Bearden, Benny Andrews, Deborah Roberts, Al-Baseer Holly, Judy Bowman and Mickalene Thomas. Through their work, I developed a sense of pride and gratitude to carry forth the mantle as a Black collagist.

My work aims to reach beyond the surface-level perceptions of Black identity, revealing its depth, richness, and complexity. By layering elements like collage and painting, I explore the intricate tapestry of Black experiences. Inspired by music, I explore various rhythms to express my emotions and imaginations. These emotional responses are then channeled into abstract shape languages and experimental color palettes, to create a vibrant symphony of harmony that uplifts the soul of Black culture.

As a Detroit native, I strive daily to match the city’s inventive spirit, cultural influence, and artistic heritage. Karriem Riggins, Detroit-born jazz drummer, hip-hop producer, and music trailblazer, inspires me to be multifaceted in my craft. Listening to how Riggins fuses drumming with off-the-grid and heavily sampled beats challenges me to explore my own artistic rhythms and how I can remix them as a collage artist. I apply Riggins’ innovative style to my own practice by sampling the cultural aesthetics from the 1960s era, contemporary animation, and fashion. I combine gestural drawing techniques blended with paper collage and painting to create a kaleidoscope of emotions with crisp and organic tones.

My journey with mixed media teaches me to unapologetically own every mark, shape, and impression I produce on any surface, no matter the amount of materials I use. Instead of viewing my artistic mistakes as setbacks, I embrace the opportunity for creative problem-solving. With jazz-like improvisation, I juggle between collage and wet and dry mediums, to find the right rhythm and best solution to any picture-making problem.

Contact me.

jonathankimble2@gmail.com
(313)-452-7881

IG: @jkart100